Bibliography
Preface
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Introduction
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Literature Review
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Methodology
Gökçe, G., Saiba Varma, S., & Watanabe, C. (2020). [Online]. ‘A Manifesto for Patchwork Ethnography’ in Fieldsights. Available at: https://culanth.org/fieldsights/a-manifesto-for-patchwork-ethnography.
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Berry, A. H. (2022). The Black Experience in Graphic Design: 1968–2018. (New York: Allworth Press).
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Lippard, L. R. (1973). Six Years: The Dematerialisation of the Art Object from 1966 to 1972. (Redwood City: University of California Press).
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Weger, H., Castle Bell, G. Minei, E & Robinson, C, M. (2014). “The Relative Effectiveness of Active Listening in Initial Interactions” in International Journal of Listening. 28(1). pp. 13-31. doi: 10.1080/10904018.2013.813234.
Chapter 1
Bagchee, N. (2018). Counter Institution: Activist Estates of the Lower East Side. (New York: Empire State Editions).
Purgas. P. (2023). Subcontinental Synthesis: Electronic Music at the National Institute of Design, India 1969–1972. (Boston: MIT Press).
Indian activists who helped change the face of modern Britain. (2021). Available at: https://www.bbc.co.uk/news.
Gill, T. (2013). ‘The Indian Workers’ Association Coventry 1938–1990: political and social action’ in South Asian History and Culture. 4(4). pp. 554-573.
Carpenter, M & Kyneswood, B. (2017). From self-help to class struggle: revisiting Coventry Community Development Project’s 1970s journey of discovery. Oxford: Oxford University Press.
(Authors not named). (1975). Community Development Project Final Report: Coventry and Hillfields: Prosperity and the Persistence of Inequality. Coventry: The Home Office and City of Coventry Community Development Project.
(Authors not named). (1975). Community Development Project Final Report: Background Working Papers. Coventry: The Home Office and City of Coventry Community Development Project.
Coventry Education Committee. (1972). The Sidney Stringer Centre for School and Community Use. Coventry: Coventry City Council.
Biewen, J. & Dilworth, A. (eds.). (2017). [Online]. Reality Radio, Second Edition: Telling True Stories in Sound. (Chapel Hill: University of North Carolina Press). Available at: http://www.jstor.org/stable/10.5149/9781469633145_biewen.
Back, L. (2012). The Unfinished Politics of Race: Histories of Political Participation, Migration, and Multiculturalism. (Cambridge: Cambridge University Press).
Bickford, S. (1996). The Dissonance of Democracy: Listening, Conflict, and Citizenship. (Ithaca: Cornell University Press).
Saunders, J. S. (2015). The British motor industry, 1945-77: How workplace cultures shaped labour militancy. Ph.D Thesis. University College London. Available at:
https://discovery.ucl.ac.uk/id/eprint/1470149/1/Jack%20Saunders%20Ph.D.pdf.
En-suite education: the unstoppable rise of luxury student housing. (2016). Available at: https://www.theguardian.com/cities/2016/mar/29/en-suite-education-the-rise-of-luxury-student-housing.
Cavarero, A & Kottman, P. (2005). For More Than One Voice: Toward a Philosophy of Vocal Expression. (Chicago: The University of Chicago Press).
Chapter 2
Thornton, S. (2003). Club Cultures: Music, Media, and Subcultural Capital. (Cambridge: Polity).
Reynolds, S. (1998). Energy Flash: A Journey Through Rave Music and Dance Culture. (London: Picador).
Collin, M. (2010). Altered State: The Story of Ecstasy Culture and Acid House. (London: Serpent’s Tail).
Frith, S. (1996). Performing Rites: Evaluating Popular Music. (Oxford: Oxford University Press).
Reynolds, S. (1998). Energy Flash: A Journey Through Rave Music and Dance Culture. (London: Picador).
Ishkur’s Guide to Electronic Music. (2000). Available at: https://music.ishkur.com/.
Mercer, K. (1989). Black Film/British Cinema. (London: ICA Documents).
Collin, M. (2010). Altered State: The Story of Ecstasy Culture and Acid House. (London: Serpent’s Tail).
George, E. (1996). Rave Culture and Its Discontents in Radical Philosophy. 82. pp. 2-8.
Lefebvre, H. (2004). Rhythmanalysis: Space, Time, and Everyday Life. (London: Continuum).
Goodman, S., (2010) Sonic Warfare: Sound, Affect, and the Ecology of Fear. (Cambridge: MIT Press).
Vendryes, T. (2015). ‘Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music’ in Dancecult. 7. pp. 5-24. doi: 10.12801/1947-5403.2015.07.02.01.
Derby, M. (ed). (1994). ‘Back to The Future: Interviews with Samuel R Delany, Greg Tate and Tricia Rose’ in Flame Wars: The Discourse of Cyberculture. (Durham: Duke University Press).
LaBelle, B. (2010). Acoustic Territories: Sound Culture and Everyday Life. (London: Continuum).
Massey, D. (1994). Space, Place and Gender. (Minneapolis: University of Minnesota Press).
Ingold, T. (2007). ‘Against Soundscape’ in Carlyle, A. (ed). Autumn Leaves: Sound and the Environment in Artistic Practice. pp. 10-13. (Paris: Double Entendre).
Ingold, T. (2011). Being Alive: Essays on Movement, Knowledge and Description. (London: Routledge).
Mirzoeff, N. (1999). An Introduction to Visual Culture. (London: Routledge).
LaBelle, B. (2010). Acoustic Territories: Sound Culture and Everyday Life. (London: Continuum).
Bull, M. & Back, L. (2003). The Auditory Culture Reader. (Oxford: Berg).
LaBelle, B. (2015). Background Noise: Perspectives on Sound Art. (New York: Bloomsbury Publishing USA).
Goodman, S. (2010). Sonic Warfare: Sound, Affect, and the Ecology of Fear. (Cambridge: MIT Press).
Detroit: Techno City. (2016). Available at: https://archive.ica.art/whats-on/detroit-techno-city/index.html
LISTEN: MARK ARCHER & NEIL RUSHTON IN CONVERSATION. (2023). Available at: https://jointhefuture.net/2023/02/21/listen-mark-archer-neil-rushton-in-conversation/
Chapter 3
LaBelle, B. (2010). Acoustic Territories: Sound Culture and Everyday Life. (London: Continuum).
Le Guin, U. K. (2004). ‘Telling is Listening’ in The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination. (Colorado: Shambhala Publications).
Layton, M., Sager, R. & Will, U. (2005). ‘In time with the music: the concept of entrainment and its significance for ethnomusicology’ in European Meetings in Ethnomusicology. 11. pp. 3–142.